Lullabye – Anneleen Keppens
Wie zorgt er voor wie zorgt?
Tom Rummens
Trajal Harrell © Olympe Tits
In Artists’ Entrance, we ask artists about their life and work. Today: Trajal Harrell. Harrell gained international renown as choreographer through his pioneering engagement with the New York voguing ballroom scene, early postmodern dance and butoh. He is a frequent guest on Belgian stages, presenting The Romeo at DE SINGEL on 23 and 24 October 2026. In April 2027, he will “sashay to Schubert” with the world premiere of Winterreise at Opera Ballet Vlaanderen.
What was your first encounter with the performing arts?
My father’s bad behavior.
What did you dream of becoming as a child?
A pediatrician.
When did you know that you wanted to work in the performing arts?
Age 12.
Which performance kept you awake recently?
Pina Bausch/Tanztheater Wuppertal’s Carnations.
Which performance will you never forget?
Jennifer Lacey’s Money Shot.
What is your favorite place to be?
Watching tennis with my mom.
What does your workspace or atelier look like?
It has a green floor.
How do you relax?
Binging series.
Do you have a ritual before going on stage?
I do the same warm up routine.

Music Music, Trajal Harrell © Nurith Wagner Strauss
What is the most beautiful thing about your job as an artist?
Spending time with an audience.
And the hardest part?
Being away from my loved ones while on tour.
Do you need mostly chaos or order to work?
Mostly chaos mixed with a little chaos.
Do you enjoy showing your work, or does it mainly make you nervous?
I enjoy it.
What habit would you like to unlearn?
Watching tv before sleeping.
Are your parents fans of your work?
Definitely not.
Does theatre have an impact?
Yes.
With whom would you like to collaborate one day?
Craig Taborn.
“My work is not fusion nor is it voguing. I tried to address the histories of the voguing ballroom scene, early postmodern dance, butoh, and early modern dance.”
Which misconception about yourself would you like to dispel here and now?
My work is not fusion nor is it voguing. I tried to address the histories of the voguing ballroom scene, early postmodern dance, butoh, and early modern dance.
Have you ever had a memorable encounter with an audience member?
Yes. During a performance an audience member pulled a splinter out of my foot.
What makes you unhappy?
An overripe melon.
If you could start over, what career would you choose?
Magazine editor.
Do you think theatre will survive in the future?
Yes.
KRIJG JE GRAAG ONS PAPIEREN MAGAZINE IN JOUW BRIEVENBUS? NEEM DAN EEN ABONNEMENT.
REGELMATIG ONZE NIEUWSTE ARTIKELS IN JOUW INBOX?
SCHRIJF JE IN OP ONZE NIEUWSBRIEF.
JE LEEST ONZE ARTIKELS GRATIS OMDAT WE GELOVEN IN VRIJE, KWALITATIEVE, INCLUSIEVE KUNSTKRITIEK. ALS WE DAT WILLEN BLIJVEN BIEDEN IN DE TOEKOMST, HEBBEN WE OOK JOUW STEUN NODIG! Steun Etcetera.